Much Ado About Nothing AUDITIONS
2024-10-14 19:00 - 21:00 (America/New_York) | ACT Rehearsal Hall, 1213 12th St, Altoona, PA, 16601, United States
Auditions for William Shakespeare’s
Much Ado About Nothing
Audition Dates: Sunday October 13 and Monday October 14 at 7:00 pm
Show Dates: February 13-16, 2025
**PLUS a required student matinee February 12 at 10a.m.**
Directed by Tom Liszka
Auditions for this Shakespearean rom-com will take place Sunday October 13 and Monday October 14 starting at 7 p.m. Auditions will be open in the ACT Rehearsal Hall unless a private audition is requested.
Actors must be available for all performances, including a student matinee at 10am on Wednesday February 12. Availability for rehearsals will be asked at auditions, please be prepared to list all conflicts from October 17 through November 1 as well as January 2 to February 16. While regular rehearsals will not begin until January, actors will be expected to be off book at the start of full rehearsals.
If you are unable to attend general auditions, please contact director Tom Liszka at TRL1@psu.edu before October 1 to arrange an alternate time.
Call-backs are expected to take place October 16 as needed.

Acting audition: It is highly recommended you read the director’s version of the script prior to auditions. Then, choose two scenes/monologues to prepare from those available in the Google Drive linked below. You do not need to prepare a scene for every character you are interested in playing. If you prepare a scene that requires more than one actor, a member of the crew will read with you.
Director’s note: “I’m interested in actors who can act naturally, just as you’ve always done for any other part. Don’t just try to recite Shakespeare’s lines like they are some kind of sacred text.”
This show will also incorporate some music elements throughout. Singing, dancing, and instrument playing is not a requirement to audition*.
Optional dance audition: no preparation needed, you will be taught a dance at auditions
Optional music audition: prepare any song (the director recommends a “fun schmaltzy Italian song”) to sing acapella or accompanied by a track or yourself; you may also do a music audition with just an instrument and no singing.
*The character Balthasar will be required to sing in two scenes
For more information, please read the director’s full statement on auditions here.
It is highly recommended you read the director’s cut of the script prior to auditions.
Full Script & Audition scenes available via a Google Drive here.

About the show:

Love is in the air as two of Shakespeare’s most tumultuous couples— Beatrice and Benedick, and Claudio and Hero—volley hilarious quips and damning accusations back and forth. For Beatrice and Benedick, wit is a full-contact sport, and each is happy to throw some elbows. But wethinks they doth protest too much. Sometimes a stubborn soul needs that proverbial kick in the pantaloons to get out of their own way.

Will the truth win in this mischievous game of love? Romance, wit, false accusations, mistaken identities, and a cunning villain fuel this beloved classic with a central couple that set the standard for today’s rom coms.

Available Roles
(all auditionees should be of Junior High School age and above)
Don Pedro—a Prince and a soldier, any adult age
Leonato—Hero’s father, older, governor of Messina
Antonio—Beatrice’s father, even older than Leonato, a gentleman of Messina
Benedick—a soldier, 20-40, witty, swears he’ll never marry (until he falls in love), upper class
Beatrice—an independent woman, 20-40, witty, swears she’ll never marry (guess what happens), upper class
Claudio—a soldier, 20-40, upper class (must be willing to kiss on stage)
Hero—20-40, more innocent, upper class (must be willing to kiss on stage)
Margaret—an attendant to Hero, possibly slutty, thinks herself witty, probably younger, but possibly any age
Ursula—an attendant to Hero, probably younger, but possibly any age
Don John—a soldier, younger brother to Don Pedro, also a Prince—the villain
Borachio—a follower of Don John, so also a bad guy, any age, his name means “drunkard” in Spanish
Conrade—a follower of Don John, so also a bad guy, any age, thinks he’s a gentleman
Dogberry—Constable in charge of the Watch, lower class, confuses words, thinks he’s important, any age
Verges—Dogberry’s sidekick, lower class, a little slow, maybe smarter than Dogberry?, any age
Sexton (Francis Seacoal), any age, lower class, might be double cast with the Messenger, and one of the “Several” people below
Messenger, a soldier, might be double cast with the Sexton, and as one of the “Several” people below
4 Watchmen/women, lower class, any age, need to develop individual comic attributes, one of them has pants that fall down
Balthasar, a professional singer, any age, might be double-cast with the Friar, might also be a musician
Friar Francis, any age, might be double cast with Balthasar
Several Musicians, Servants, Mourners, a Boy, Party-goers, Dancers—4 to 7, these might all be the same people, any age

All roles are available. No prior theatrical or ACT experience is required.
Roles are open to diverse & gender-inclusive casting. Our casting seeks to be as inclusive as possible and we invite gender nonconforming, genderqueer, transgender and nonbinary actors to select the roles they most identify with.
Age ranges are suggestions, please audition for any role you would like.

Questions can be directed to the ACT Office.
Phone: 814-943-4357
Email: act@altoonacommunitytheatre.com

Mary Poppins AUDITIONS
2025-02-23 18:00 - 21:00, 2025-02-24 18:00 - 21:00 | ACT Rehearsal Hall, 1213 12th St, Altoona, PA, 16601, United States
AUDITIONS FOR
Disney and Cameron Mackintosh’s
Mary Poppins
A Musical based on the stories of P.L. Travers
and the Walt Disney Film
Original Music and Lyrics by Richard M. Sherman and Robert B. Sherman
Book by Julian Fellowes
New songs and Additional Music and Lyrics by George Stiles and Anthony Drewe
Co-Created by Cameron Mackintosh
Open Auditions Sunday, February 23 at 6:00pm & Monday, February 24 at 6:00 p.m.
Show Dates: May 1, 2, & 3 @ 7:30 pm, May 3 & 4 @ 2 pm
(5 performances)
Directed by Tara E. Enedy
Open auditions for Altoona Community Theatre’s production of “Mary Poppins” will be held Sunday and Monday, February 23 and 24, beginning 6:00 p.m. in the Altoona Community Theatre Rehearsal Hall, 1213 12th Street, Downtown Altoona. Auditionees need only attend one night of auditions unless asked to attend callbacks. All audition times are for all ages appropriate for the show.
Everyone should be prepared with 16 to 32 bars of a broadway song that showcases their ability. No unaccompanied singing will be permitted. An accompanist will be provided. Please bring paper copies of your sheet music in the appropriate key.
A song will be taught to those without a prepared number.
Everyone will participate in a general movement audition. No special dance clothing is required, just clothes and shoes that are comfortable to move in. Please bring dance or character shoes to change into, if you have them available. During the movement audition you will have the opportunity to demonstrate advanced dancing skills if you would like to be considered for a full dancing and singing ensemble role, Bert, or Mary Poppins.

DANCE ONLY audition for those not interested in singing:
Sunday February 23 at 4pm
This DANCE ONLY session is a special dance ensemble audition for those only interested in dancing in “Step in Time”, “Jolly Holiday”, or “Supercali..” This dance ensemble will include advanced tapping and dance skills, but not necessarily singing. Only attend this dance audition if you do not want to sing.
If you are unable to attend this date for a dance audition, please call ACT Office at 814-943-4357 to discuss attending on Wednesday February 26 instead. This alternative time is by invitation or prior arrangement only.
Attend the general auditions on Sunday or Monday at 6 pm if you would like to be considered for “full ensemble” roles that include singing. Auditionees will be given a chance to demonstrate advanced dancing skills during the movement portion of the general auditions.

About the show:

This uplifting and energetic musical is sure to delight all ages. Bert, a chimney sweep, introduces us to the troubled Banks family in 1910 London. Young Jane and Michael have sent many a nanny packing before Mary Poppins appears at their doorstep. The family finds that she is the answer to their prayers, but in the most peculiar way.

Mary Poppins takes the children on many magical and memorable adventures, but Jane and Michael aren’t the only ones upon whom she has a profound effect. Songs include “A Spoonful of Sugar,” “Chim Chim Cher-ee,” “Step in Time,” and “Let’s Go Fly a Kite.”

Available Roles & Vocal Range:
Age ranges are a suggestion, please audition for any role you would like to be considered for. Listed by order of appearance.
Bert: The narrator of the story, is a good friend to Mary Poppins. An everyman, Bert has many occupations, including hurdy-gurdy player, sidewalk artist and chimney sweep. Bert watches over the children as well as the goings on in Cherry Tree Lane. He has charm, speaks with a Cockney accent and is a song-and-dance man.
Gender: male
Age: 25 to 45
Vocal range top: F#4
Vocal range bottom: B2
Must have dance abilities and not be afraid of heights.
George Banks: The father to Jane and Michael Banks, is a banker to the very fiber of his being. Demanding “precision and order” in his household, he is a pipe-and-slippers man who doesn’t have much to do with his children and believes that he had the perfect upbringing by his nanny, the cruel Miss Andrew. His emotional armor, however, conceals a sensitive soul. A baritone, George may speak-sing as necessary.
Gender: male
Age: 30 to 60
Vocal range top: Eb4
Vocal range bottom: Bb2
Winifred Banks: George’s wife and Jane and Michael’s mother. A former actress, she is loving and distracted homemaker who is busy trying to live up to her husband’s desire to only associate with “the best people” as well as be the model wife and mother. She suffers from the conflicting feelings that she’s not up to the job of “being Mrs. Banks,” yet, she is, and more. She has great warmth and simplicity to her tone.
Gender: female
Age: 30 to 60
Vocal range top: D5
Vocal range bottom: A3
Jane: The high-spirited daughter of Mr. and Mr. Banks, is bright and precocious but can be willful and inclined to snobbishness.
Gender: female
Age: 10 to 12
Vocal range top: F#5
Vocal range bottom: A3
Michael: The cute and cheeky son of Mr. and Mrs. Banks. Excitable and naughty, he adores his father and tries to be like him. Both he and Jane misbehave in order to get the attention of their parents.
Gender: male
Age: 8 to 10
Vocal range top: E5
Vocal range bottom: A3
Katie Nanna:Jane and Michael’s nanny at the beginning of the show. Overwhelmed and upset, she has absolutely had her fill of the Banks children.
Gender: female
Age: 30 to 60
Policeman: A neighborhood fixture who is respected by and observant of households on his beat.
Gender: male
Age: 30 to Any
Miss Lark: The haughty next-door neighbor of the Banks family who treats her dog, Willoughby, as if her were child.
Gender: female
Age: 30 to Any
Admiral Boom: A retired Royal Navy man and neighbor of the Banks family. A physically large man with a loud and booming voice, he speaks in Navy jargon and has a soft spot for his neighbor, Miss Lark. Can be any vocal range as needed. If Admiral Bloom doubles as the Banks Chairman, he can be a baritone.
Gender: male
Age: 50 to 75
Mrs. Brill: The housekeeper and cook for the Banks family. Overworked and harassed, she’s always complaining that the house is understaffed. Her intimidating exterior is a cover for the warmth underneath. Mrs. Brill doesn’t have a high opinion of nannies in general and Mary Poppins in particular. She does not have to be a strong singer.
Gender: female
Age: 40-60
Vocal range top: D#5
Vocal range bottom: F#3
Robertson Ay: The houseboy to the Banks family. Lazy, sleepy and grumbling, he never gets things right and believes himself to be useless. He doesn’t do a lot of singing, but his “Spoonful” solo can be a fun surprise.
Gender: male
Age: 20 to 40
Vocal range top: G#4
Vocal range bottom: F3
Mary Poppins: Jane and Michael Banks’s new nanny. She is extraordinary and strange, neat and tidy, delightfully vain yet particular, and sometimes a little frightening but always exciting. She is practically perfect in every way and always means what she says. A mezzo soprano with strong top notes, she should be able to move well. She can have a more traditional soprano sound, but precision and diction is the key.
Gender: female
Age: 20 to 40
Vocal range top: C6
Vocal range bottom: Gb3
Must have some dance ability and not be afraid of heights.
Park Keeper: Uniformed and officious, he makes sure no one breaks park regulations. His life is defined by rules, but he secretly hankers after his childhood.
Gender: male
Age: Any
Neleus: The statue of a young boy posed with a dolphin in the park. Neleus was separated from his father, Poseidon, and misses him very much. A small and lonely being, he is very happy to befriend Jane and Michael. This will be a featured dance role.
Gender: male
Age: 14 to 21
Queen Victoria: A statue in the park.
Gender: female
Age: Any
Bank Chairman: The head of the bank where Mr. Banks is employed, is an Edwardian stuffed-shirt. He can speak/sing his lines if necessary.
Gender: male
Age: 50 to Any
Vocal range top: D4
Vocal range bottom: C3
Miss Smythe: The Bank Chairman’s humorless secretary.
Gender: female
Age: Any
Ensemble: Annie, Fannie, Valentine, Teddy Bear, Mr. Punch, Doll, Chimney Sweeps, Toys, Parkgoers.
Von Hussler: A businessman seeking a loan from the bank for a shady business deal. He speaks with a German accent.
Gender: male
Age: Any
John Northbrook: An honest business man seeking a loan to build a factory for his community. He speaks with an accent from Northern England.
Gender: male
Age: Any
Bird Woman: Covered in a patchwork of old shawls, and her pockets are stuffed with bags of crumbs for the birds. She tries to sell her crumbs for the birds. She tries to sell her crumbs to passersby, who ignore her as if she doesn’t exist. Sings “Feed the Birds.” There can be a gruff, folksy quality to her voice that reflects the hardness of her life.
Gender: female
Age: 30 to Any
Vocal range top: C5
Vocal range bottom: Gb3
Mrs. Corry: Owns a magical gingerbread shop. She is a mysterious woman of great age who speaks with a Caribbean accent (or any accent that would make her seem exotic).
Gender: female
Age: 30 to Any
Miss Andrew: George’s overbearing and scary nanny. With her bottle of nasty-tasting brimstone and treacle to keep naughty children in line, she is a bully who only knows one way of doing things – her way. A soprano with an alto belt, there can be some heaviness to her voice along with range.
Gender: female
Age: 40 to Any
Vocal range top: F5
Vocal range bottom: Gb3

Cinderella Auditions
2025-07-13 18:00 - 20:00 | The Historic Mishler Theatre, 1208 12th Ave, Altoona, PA, 16601, United States
Auditions for Rodgers + Hammerstein’s Cinderella
Open Auditions: Sunday, July 13 at 6:00 PM & Monday, July 14 at 6:00 PM
Show Dates: September 18, 19, & 20 @ 7:30 pm, September 21 @ 2 PM
Directed by Bryce Cossitor
Open auditions for Altoona Community Theatre’s production of “Cinderella” will be held Sunday and Monday, July 13 & 14, beginning 6:00 p.m. in the Historic Mishler Theatre, 1208 12th Street, Downtown Altoona. Auditionees need only attend one night of auditions unless asked to also attend callbacks, which are expected to be held as needed Wednesday July 16 starting at 6 p.m.
Auditions will consist of singing and cold readings from the script. Auditionees should be 8 years of age or older. Note that all speaking roles will require age 17 or older. There will be a limited number of children 8-16 used in ensemble numbers and for specialized puppetry tasks. Everyone should be prepared with 16 to 32 bars of any Rodgers and Hammerstein song that showcases their ability. No unaccompanied singing will be permitted. An accompanist will be provided. Please bring paper copies of your sheet music in the appropriate key. A song will be taught to those without a prepared number.
Everyone will participate in a general movement audition. No special dance clothing is required, just clothes and shoes that are comfortable to move in.
Actors must be available for all performances (September 16 through September 21, 2025). Availability for rehearsals will be asked at auditions. Please be prepared to list all conflicts from auditions through performance dates. Rehearsals are expected to begin at 7:00 p.m.
If you are unable to attend general auditions, please contact the ACT Office at least a week in advance to discuss scheduling an alternative audition time.
About the show:
Get ready to be swept away by the timeless tale of Cinderella, the definitive rags to riches story that has charmed and inspired audiences all over the world. Rodgers & Hammerstein’s Cinderella is the new Broadway adaptation of the classic musical. This contemporary take on the treasured fairy tale features some of their most beloved songs including “In My Own Little Corner,” “Impossible,” and “Ten Minutes Ago” in this romantic (and hilarious) update.
Winning nine 2013 Tony Awards including Best Revival of a Musical, critics called it, “Reassuringly old-fashioned and refreshingly irreverent, sentimental and snarky, sincere and ironic, all at once!”
Available Roles:
Ella: Idealistic and hopeful, she courageously challenges the prince to change the policies in the kingdom – and helps him discover who he truly is. Soprano B3-Eb5
Topher: A misguided and lost prince who longs to do something important with his life. Baritone C#3-A4
Madame: Ella’s selfish stepmother, the epitome of vanity and fashion. MezzoSoprano C4-D5
Sebastian: The kingdom’s Lord Chancellor and trusted advisor to the Prince, though uses propaganda and dishonesty to keep Topher in the dark about his kingdom. Baritone C3-E4
Marie: A friend to Ella and the town’s crazy lady and beggar who also happens to be a Fairy Godmother. Soprano A3-Ab5
Gabrielle: Ella’s stepsister and publicly follows her mother and sister but secretly empathetic, passionate, and drawn to Ella and Jean-Michel. Soprano C4-G5
Charlotte: Ella’s stepsister who is brash, self-centered, materialistic and always wants to be the center of attention. Mezzo-Soprano B3-F5
Jean-Michel: A feisty, passionate peasant determined to make a change for the starving class. Also has a crush on Gabrielle. Baritone C3-G4
Lord Pinkleton: Sebastian’s right-hand man who announces royal balls, banquets and occasionally the weather to the villagers. Tenor D3-A4
Ensemble: Interchanging parts to include a Giant, Fox and Raccoon, Footman, Coachman, Knights, Peasants, Townspeople, Ladies and Gentlemen of the Court, Etc

All roles are available. No prior theatrical or ACT experience is required.
Roles are open to racially diverse and gender-inclusive casting for actors of all physical and neurological abilities. Our casting seeks to be as inclusive as possible and we invite gender nonconforming, genderqueer, transgender, and nonbinary actors to select the roles they most identify with.
Questions can be directed to the ACT Office at 814-943-4357 or act@altoonacommunitytheatre.com.

Cinderella Auditions
2025-07-14 18:00 - 20:00 | The Historic Mishler Theatre, 1208 12th Ave, Altoona, PA, 16601, United States
Auditions for Rodgers + Hammerstein’s Cinderella
Open Auditions: Sunday, July 13 at 6:00 PM & Monday, July 14 at 6:00 PM
Show Dates: September 18, 19, & 20 @ 7:30 pm, September 21 @ 2 PM
Directed by Bryce Cossitor
Open auditions for Altoona Community Theatre’s production of “Cinderella” will be held Sunday and Monday, July 13 & 14, beginning 6:00 p.m. in the Historic Mishler Theatre, 1208 12th Street, Downtown Altoona. Auditionees need only attend one night of auditions unless asked to also attend callback, which are expected to be held as needed Wednesday July 16 starting at 6 p.m.
Auditions will consist of singing and cold readings from the script. Auditionees should be 8 years of age or older. Note that all speaking roles will require age 17 or older. There will be a limited number of children 8-16 used in ensemble numbers and for specialized puppetry tasks. Everyone should be prepared with 16 to 32 bars of any Rodgers and Hammerstein song that showcases their ability. No unaccompanied singing will be permitted. An accompanist will be provided. Please bring paper copies of your sheet music in the appropriate key. A song will be taught to those without a prepared number.
Everyone will participate in a general movement audition. No special dance clothing is required, just clothes and shoes that are comfortable to move in.
Actors must be available for all performances (September 16 through September 21, 2025). Availability for rehearsals will be asked at auditions. Please be prepared to list all conflicts from auditions through performance dates. Rehearsals are expected to begin at 7:00 p.m.
If you are unable to attend general auditions, please contact the ACT Office at least a week in advance to discuss scheduling an alternative audition time.
About the show:
Get ready to be swept away by the timeless tale of Cinderella, the definitive rags to riches story that has charmed and inspired audiences all over the world. Rodgers & Hammerstein’s Cinderella is the new Broadway adaptation of the classic musical. This contemporary take on the treasured fairy tale features some of their most beloved songs including “In My Own Little Corner,” “Impossible,” and “Ten Minutes Ago” in this romantic (and hilarious) update.
Winning nine 2013 Tony Awards including Best Revival of a Musical, critics called it, “Reassuringly old-fashioned and refreshingly irreverent, sentimental and snarky, sincere and ironic, all at once!”
Available Roles:
Ella: Idealistic and hopeful, she courageously challenges the prince to change the policies in the kingdom – and helps him discover who he truly is. Soprano B3-Eb5
Topher: A misguided and lost prince who longs to do something important with his life. Baritone C#3-A4
Madame: Ella’s selfish stepmother, the epitome of vanity and fashion. MezzoSoprano C4-D5
Sebastian: The kingdom’s Lord Chancellor and trusted advisor to the Prince, though uses propaganda and dishonesty to keep Topher in the dark about his kingdom. Baritone C3-E4
Marie: A friend to Ella and the town’s crazy lady and beggar who also happens to be a Fairy Godmother. Soprano A3-Ab5
Gabrielle: Ella’s stepsister and publicly follows her mother and sister but secretly empathetic, passionate, and drawn to Ella and Jean-Michel. Soprano C4-G5
Charlotte: Ella’s stepsister who is brash, self-centered, materialistic and always wants to be the center of attention. Mezzo-Soprano B3-F5
Jean-Michel: A feisty, passionate peasant determined to make a change for the starving class. Also has a crush on Gabrielle. Baritone C3-G4
Lord Pinkleton: Sebastian’s right-hand man who announces royal balls, banquets and occasionally the weather to the villagers. Tenor D3-A4
Ensemble: Interchanging parts to include a Giant, Fox and Raccoon, Footman, Coachman, Knights, Peasants, Townspeople, Ladies and Gentlemen of the Court, Etc

All roles are available. No prior theatrical or ACT experience is required.
Roles are open to racially diverse and gender-inclusive casting for actors of all physical and neurological abilities. Our casting seeks to be as inclusive as possible and we invite gender nonconforming, genderqueer, transgender, and nonbinary actors to select the roles they most identify with.
Questions can be directed to the ACT Office at 814-943-4357 or act@altoonacommunitytheatre.com.

Boeing Boeing Auditions
2025-09-28 16:00 - 19:00, 2025-09-29 18:00 - 21:00 | ACT Rehearsal Hall, 1213 12th St, Altoona, PA, 16601, United States
Boeing Boeing
by Marc Camolett
Translated by Beverley Cross & Francis Evans
Audition Dates: Sunday September 28 at 4 PM
Monday September 29 at 6 PM
Show Dates: November 13-16, 2025
Directed by Tom Menna

Open auditions for this hilarious 1960s farce will take place September 28 at 4 PM and September 29 at 6 PM in the Altoona Community Theatre Rehearsal Hall, 1213 12th Street, Downtown Altoona.
Auditions will consist of cold readings of scenes and monologues.
Actors must be available for all performances, listed above. Availability for rehearsals will be asked at auditions, please be prepared to list all conflicts from auditions to performance dates. If you are unable to attend general auditions, please contact the ACT Office at least two weeks in advance to discuss scheduling an alternative audition time.
Auditionees need only attend one night of open auditions unless asked to attend callbacks, expected to take place October 1 as needed.

About the Show:
An uproarious farce with 3 flight attendant fiancées, 1 bachelor, and plenty of turbulence. Set in the swinging 1960s, this riotous comedy follows bachelor Bernard who is juggling secret engagements to three international air hostesses from his Paris apartment.
With careful planning and the reliable schedules of the airlines, his love life runs like clockwork. That is until the introduction of jet planes and a surprise visit from an old school friend brings his precise life to a screeching halt. As Bernard’s carefully separated worlds begin to collide, the resulting chaos is a first-class ticket to laughter, making Boeing Boeing an unmissable comedic flight.

Please note, this show contains adult humor and situations.
Available Roles
Bernard – A Parisian bachelor
Gloria – an American air hostess
Berthe – Bernard’s housekeeper
Robert – a friend of Bernard’s
Gabriella – an Italian air hostess
Gretchen – a German air hostess

All roles are available. No prior theatrical or ACT experience is required.
Roles are open to diverse & gender-inclusive casting. Our casting seeks to be as inclusive as possible and we invite gender nonconforming, genderqueer, transgender and nonbinary actors to select the roles they most identify with.

Questions can be directed to the ACT Office.
Phone: 814-943-4357
Email: act@altoonacommunitytheatre.com

Wait Until Dark Auditions
2025-12-01 18:00 - 20:00, 2025-12-02 18:00 - 20:00 | ACT Rehearsal Hall, 1213 12th St, Altoona, PA, 16601, United States
Wait Until Dark Auditions
By Frederick Knott
Adapted by Jeffrey Hatcher
Auditions: December 1 & 2 at 6 PM
Performances: February 12, 13, 14 at 7:30 PM
& February 15 at 2 PM
Directed by Michael Manfred

Open auditions for this 1940s thriller will take place Monday December 1 and Tuesday December 2 starting at 6 PM in the Altoona Community Theatre Rehearsal Hall, 1213 12th Street, Downtown Altoona.
Auditions will consist of cold readings from the script.
Actors must be available for all performances (dates listed above). Availability for rehearsals will be asked at auditions, please be prepared to list all conflicts from auditions to performance dates. If you are unable to attend general auditions, please contact the ACT Office at least two weeks in advance to discuss scheduling an alternative audition time.
Auditionees need only attend one night of open auditions unless asked to attend callbacks, expected to take place the evening of December 4 as needed.
Rehearsals are expected to begin shortly after auditions, with breaks for the holidays.

About the Show:
Wait Until Dark is a gripping and suspenseful thriller that keeps audiences on the edge of their seats. In 1944 Greenwich Village, Susan Hendrix, a blind yet capable woman, becomes the target of a group of ruthless criminals searching for a mysterious doll filled with contraband. As the tension mounts and the stakes grow higher, Susan must use her cunning and her courage to outmaneuver her dangerous adversaries in a heart-pounding battle of wits.
With its masterful blend of intrigue, danger, and unexpected twists, Wait Until Dark delivers a thrilling theatrical experience with a final scene that will leave you breathless.

Appropriate for ages 13+. Content advisory: strong language, violence, and mild adult themes

Available Roles:
Susan – Female, 20-50
Female lead of the show. Recently blinded, newly married, learning to be independent with her new challenges. She is feisty, intelligent, and can hold her own. She’s afraid of her situation but not of herself. Actor must be comfortable with playing “fear”. Physically demanding role, and is in every scene of the play.

Roat – Male, 25-55
The main villain of the piece. He is calm, cruel, and collected. Throughout most of the play Roat is “playing” various characters in order to meet his goal. Once the masks drop we see who he truly is a vicious ruthless man. Actor must be comfortable with playing cruelty and putting other people in jeopardy. Multiple accents and “voices”. Physically demanding role.

Mike – Male 25-40
Sam’s old army buddy who shows up for a visit and finds himself in the middle of danger with Susan. Charming, dashing, self-assured. Over the course of the play a possible romance develops between him and Susan. Stunt falls required.

Carlino – Male, 25+
Ex-cop turned con. Does not think deeply or for very long. Carlino is manipulated by other characters to do their bidding. Hides his true intentions behind a badge.

Gloria – Female, actor should be 18+, but will be playing an adolescent
Teenager who lives in the upstairs apartment and helps Susan with her daily activities. Petulant, ready to be offended, but also exceedingly brave.

Sam – Male, 25-40
Susan’s husband, loving and compassionate. They have an easy relationship. Sam is a professional photographer who is determined to make sure that Susan is safe when he is not there.

We will also be casting “extras” to play non-speaking roles such as passersby and cops, as well as function as foley artists and backstage crew.

All roles are available. No prior theatrical or ACT experience is required.
Roles are open to racially diverse and gender-inclusive casting for actors of all physical and neurological abilities. Our casting seeks to be as inclusive as possible and we invite gender nonconforming, genderqueer, transgender, and nonbinary actors to select the roles they most identify with.

Questions can be directed to the ACT Office.
Phone: 814-943-4357
Email: act@altoonacommunitytheatre.com

9 to 5 Auditions
2026-01-26 18:00 - 19:30, 2026-01-26 19:45 - 21:30 | The Historic Mishler Theatre, 1208 12th Ave, Altoona, PA, 16601, United States
9 to 5 SNOW SCHEDULE UPDATE
Due to the incoming winter storm, auditions for 9 to 5 on Sunday, January 25 have been cancelled. To make Monday (January 26) auditions as efficient as possible, we are splitting the evening into two audition time blocks:
If you have a song prepared, please arrive at the Mishler Theatre promptly at EITHER 6 pm OR 7:45 pm.
If you need to be taught a song to audition with, please come to the 7:45pm audition time.
If you have access to a printer, you can help us out by pre-filling out your audition form and bringing a PRINTED COPY: https://altoonacommunitytheatre.com/wp-content/uploads/2026/01/9t5-Audition-Form.docx.pdf
Each audition block will consist of vocal auditions followed by the group movement audition.
The DANCE ENSEMBLE ONLY audition will now be held at 5:45PM on Wednesday, January 28 at the Mishler Theatre.
Callbacks are also still being planned for the evening of Wednesday, January 28.
For all sets of auditions, please enter through the front door of the Mishler Theatre. An accessible entrance is available on the left side of the theatre (the yellow Spiritz doors.)
Anyone who cannot make the above audition times should email alicelyn26@gmail.com as soon as possible to schedule an alternate audition time.

The below information is the original audition announcement with show & character information:
9 to 5
Open Auditions Monday January 26 at 6:00 pm & 7:45 pm (Sunday auditions have been cancelled, please read above)
Dance Ensemble Audition: Wednesday January 28 at 5:45 PM
Show Dates: April 30, May 1 & 2 @ 7:30 pm, May 3 @ 2 pm
Directed by Alice Lyn Oswald
Music Directed by Gabriella Petrarca
Choreographed by Shelly McCaffrey & Lizzie Beam
Stage Managed by Becky Robinson & Jackie Settimio
Auditions will be held in the Historic Mishler Theatre, 1208 12th Ave Altoona PA.
Auditionees need only attend one night of auditions unless asked to attend callbacks, expected to be held the evening of Wednesday January 28.
Some music rehearsals will take place throughout February, with regular rehearsals beginning in early March. Rehearsals are expected to take place on weekday evenings, but some weekends may occasionally be necessary. Auditionees will be asked to share their scheduling conflicts from February through show dates.
Everyone should be prepared with approximately 32 bars of a broadway song that showcases their ability. An accompanist will be provided. Please bring paper copies of your sheet music in the appropriate key. A song will be taught to those without a prepared number.
Everyone will participate in a general movement audition. No special dance clothing is required, just clothes and shoes that are comfortable to move in.

DANCE ENSEMBLE AUDITION for those not interested in singing:
Wednesday January 28 at 5:45 PM
At the Mishler Theatre
This DANCE ONLY audition is to cast a special dance ensemble to do some advanced movement throughout the show, without any expectations to say lines or sing.
Please attend the general auditions if you would like to be considered for any roles that include singing or acting, including ensemble. Auditionees interested in being considered for both an acting role and the dance ensemble will be given a chance to demonstrate advanced dancing skills immediately following the general movement audition.

ABOUT THE SHOW:
9 to 5, a musical based on the 1980 hit movie, is a laugh-out-loud story of friendship and revenge with music and lyrics by Dolly Parton.
Pushed to the boiling point, three female coworkers concoct a plan to get even with the sexist, egotistical, lying, hypocritical bigot they call a boss. In a zany turn of events, Violet, Judy, and Doralee live out their wildest fantasy – giving their boss the boot! While Mr. Hart remains “otherwise engaged,” the women give their workplace a dream makeover, taking control of the company that had always kept them down. Hey, a girl can scheme, can’t she?

AVAILABLE ROLES:

Violet (Female, Age 40-50)
Vocal Range F3-D5
The company’s Head Secretary and Mr. Hart’s Administrative Assistant, she is a single mother and typically stands up for what she believes in. Has a sarcastic sense of humor. Resilient, ambitious.
Romantic moments with Joe, including a passionate kiss (lip-to-lip contact).

Doralee (Female, Age 20-35)
Vocal Range G3-E5
A young, sexy spitfire who works at Mr. Hart’s office. She is proof that there is more to a woman than just her looks.
Romantic & sensual moments with Dwayne, no lip-to-lip contact. Staged, non-consensual touching by Mr. Hart (but she fights back!). The character’s body is referenced throughout the show. Must be body-confident and comfortable in costumes that show your curves.

Judy (Female, Age 30 to 35)
Vocal Range Ab3-F5
The “new” girl at the firm, she has been burned by her husband’s affair and is searching for personal empowerment. Insecure but determined and hopeful.

Franklin Hart Male, (Age 40-50)
Vocal Range C3-Gb4
One of the firm’s executives and a notorious chauvinist. He is capable of faking charm but usually shows his true colors as an arrogant, self-absorbed boss.
Staged non-consensual touching of Doralee (but she fights back!). Makes several inappropriate comments to or about females throughout the show.
Some physically demanding movement required. Must be able to kneel, get up and down off the floor unassisted.

Roz Keith (Female, Age 35 to 50)
Vocal Range G3-C5
The attentive office gossip queen and snitch. She has an unrequited love for Mr. Hart and will do anything she can to win his approval.

Joe (Male, Age 25-35)
Vocal Range B2-G4
An endearing young office accountant. Genuine and nice, and smitten with Violet.
Romantic moments with Violet, including a passionate kiss (lip-to-lip contact).

The following roles may also double for ensemble members:
Dwayne (Male, Age 25 to 35)
Vocal Range E2-G4
Doralee’s attractive husband. He is very supportive of her professional pursuits.
Some intimate moments with Doralee, no lip-to-lip contact. May be asked to be shirtless and/or just in boxers.

Josh (Male, Age 15-19)
Violet’s awkward teenage son.

Missy (Female, Age 25-40)
Franklin Hart’s wife, clueless to her husband’s true nature.

Maria (Female, Age 20-35)
Vocal Range F4-D5
A young and vibrant secretary in Hart’s office. Tries to rally the women of the office but gets punished for it.

Dick (Male, Age 35-45)
Judy’s soon-to-be ex-husband. An average guy. May be showing signs of mid-life aging.

Kathy (Female, Age 30 to 45)
Vocal Range: G4-D5
A secretary in Hart’s office with a tendency to gossip.

Margaret (Female, Age 30 to 50)
A secretary in Hart’s office with a tendency to drink.

Ensemble (actors ages 16 and up)
Office employees, police officers, hospital employees. Some dancing required. The Ensemble will help move the set as part of their choreography.

Dance Ensemble (dancers ages 16 and up)
A special dance ensemble to perform advanced movement throughout the show, without expectations to act or sing. Will be costumed appropriately for each scene and will help move set pieces as part of their choreography.

All roles are available. No prior theatrical or ACT experience is required.
Age ranges are suggestions for the role, not necessarily the actor age. Roles are open to racially diverse and gender-inclusive casting for actors of all physical and neurological abilities. Our casting seeks to be as inclusive as possible and we invite gender nonconforming, genderqueer, transgender, and nonbinary actors to select the roles they most identify with.
Questions can be directed to the ACT Office at 814-943-4357 or act@altoonacommunitytheatre.com.

Dance Only Audition: 9 to 5
2026-01-28 17:45 - 18:45 | The Historic Mishler Theatre, 1208 12th Ave, Altoona, PA, 16601, United States
9 to 5
Music and Lyrics by Dolly Parton
Book by Patricia Resnick
Based on the 20th Century Fox Picture
Originally produced on Broadway by Robert Greenblatt, April 2009
Dance ONLY Audition: RESCHEDULED FOR Wednesday January 28 at 5:45 p.m. in the Mishler Theatre

Full Auditions for singing/acting roles: Monday January 26 at 6:00 p.m. Read more here.
Show Dates: April 30, May 1 & 2 @ 7:30 pm, May 3 @ 2 pm
Directed by Alice Lyn Oswald
Music Directed by Gabriella Petrarca
Choreographed by Shelly McCaffrey & Lizzie Beam
Stage Managed by Becky Robinson & Jackie Settimio
This DANCE ONLY audition is to cast a special dance ensemble to do some advanced movement throughout the show, without any expectations to say lines or sing. Dance ensemble minimum age is 16.
Please attend the general auditions if you would like to be considered for any roles that include singing or acting, including ensemble. Auditionees interested in being considered for both an acting role and the dance ensemble will be given a chance to demonstrate advanced dancing skills immediately following the general movement audition. Read full audition information at altoonacommunitytheatre.com/9to5audtions

ABOUT THE SHOW:
9 to 5, a musical based on the 1980 hit movie, is a laugh-out-loud story of friendship and revenge with music and lyrics by Dolly Parton.
Pushed to the boiling point, three female coworkers concoct a plan to get even with the sexist, egotistical, lying, hypocritical bigot they call a boss. In a zany turn of events, Violet, Judy, and Doralee live out their wildest fantasy – giving their boss the boot! While Mr. Hart remains “otherwise engaged,” the women give their workplace a dream makeover, taking control of the company that had always kept them down. Hey, a girl can scheme, can’t she?

Roles are open to racially diverse and gender-inclusive casting for actors of all physical and neurological abilities. Our casting seeks to be as inclusive as possible and we invite gender nonconforming, genderqueer, transgender, and nonbinary actors to select the roles they most identify with.
Questions can be directed to the ACT Office at 814-943-4357 or act@altoonacommunitytheatre.com.

Come From Away Auditions
2026-07-26 14:00 - 17:00 | ACT Rehearsal Hall, 1213 12th St, Altoona, PA, 16601, United States
Come From Away
Book, Music and Lyrics by
IRENE SANKOFF and DAVID HEIN
Open Auditions Sunday July 26 from 2-5 pm
& Monday July 27 from 6-9 pm
Show Dates: September 17, 18, & 19 at 7:30 pm & September 20 at 2 pm

Directed by Kate Kale Wolf
Music Directed by Mary Villani
Choreographed by Maria Perehinec
Auditions will be held in the ACT Rehearsal Hall, 1213 12th Street, Altoona PA 16601
Auditionees need only attend one night of auditions unless asked to attend callbacks, expected to be held the evening of Wednesday July 29 if needed.
Please prepare 16-32 bars of a Folk Rock or modern Broadway song for singing audition, preferably in the style of the show. Bring your own prepared piano sheet music in the correct key for our audition accompanist. No tracks or acapella. No additional music will be provided.
Wear comfortable clothing and closed toed shoes for a short choreography sequence audition.
There will also be scene readings from the show.
Please have your calendar so you can clearly mark in all August and September rehearsal schedule conflicts on your audition form.
Rehearsal Schedule Important Dates:

Read Through/Listen Through Sunday August 2 from 6-9 pm
Rehearsals will mostly be Sundays through Thursdays 6-9 pm (subject to adjusting for cast conflicts) A full detailed rehearsal calendar will be distributed at Read Through
Load-In to Mishler Theatre Saturday September 5
Technical Rehearsals Sept 8-15
Sitzprobe Saturday Sept 12
Student Preview Sept 16 and Shows Sept 17-20

ABOUT THE SHOW:
Come From Away tells the true story of when seven thousand people from across America and around the world landed on the doorstep of Gander, Newfoundland… and the people of Gander “put the kettle on”. When 38 planes were diverted to a small, Canadian community on September 11, 2001, the town’s population doubled in an instant. While the world witnessed the worst acts of humankind on the news, the stranded passengers had their faith in humanity restored by the spirited people who comforted all those who had come from away. This amazing story of light in the face of darkness is told with simplicity and humor and heartfelt energy.
Time and Place:
September 11 through 16 of 2001 , and Sept. 11, 2011 in Central Newfoundland, on 38 airplanes, plus New York, Texas, California, England and other locations.
Casting:
12 adults – 6 male presenting and 6 female presenting
A diverse group representing multiple characters from different countries, cultures and religions ranging in ages from 20’s through 60’s. These characters are all based on real people and so must be played with honesty, respect and compassion.
Each actor plays multiple roles. All actors move through the choreography and the set and the switching of characters at an upbeat pace. The set is simply 12 chairs and 3 tables that move around a lot to indicate different locations. Realistic props and small costume pieces also help to indicate the changes in scenes and characters. A unique feature of the show is that the musicians are onstage for the show so there is no conductor in pit to give the cast singing cues.
Read more about the available roles here, including vocal ranges and character descriptions.
Audition Scenes:
You can review the two auditions scenes in advance by clicking on the links below. The director will hand out the scene pages and will assign people to read individual characters. There is no need to memorize anything. You will be holding the scene pages in your hand.
Audition Scene 1 Audition Scene 2
Accents:
The Newfoundland accent is something we work on throughout the rehearsal process but will not be expected at auditions. It’s sometimes described as a mix of Canadian, Irish and Minnesota. One example – Newfoundland – noo-fun-LAND – stressed on last syllable like understand. If you’d like to try a Newfoundland accent, click on the link below. But it is not required for auditions.
There are also characters with a New York accent, a Texas accent, an African accent, a Middle Eastern accent, a British accent and lines are spoken in Spanish and Hebrew.
Newfoundland accent
Audition Forms
Save yourself some time and stress by downloading the audition forms below in advance, print them, fill them out, and bring them to auditions. (It’s easier to find your calendar and remember your best onstage roles when you’re sitting comfortably at home.)
Of course, we’ll have the forms at auditions if you need one.
Audition Form Conflict Calendar
To Learn More:
There is a Broadway ProShot of “Come From Away” streaming on Apple TV right now that is excellent if you get a chance to watch it.

Come From Away is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com

Come From Away Auditions
2026-07-27 18:00 - 21:00 | ACT Rehearsal Hall, 1213 12th St, Altoona, PA, 16601, United States
Come From Away
Book, Music and Lyrics by
IRENE SANKOFF and DAVID HEIN
Open Auditions Sunday July 26 from 2-5 pm
& Monday July 27 from 6-9 pm
Show Dates: September 17, 18, & 19 at 7:30 pm & September 20 at 2 pm

Directed by Kate Kale Wolf
Music Directed by Mary Villani
Choreographed by Maria Perehinec
Auditions will be held in the ACT Rehearsal Hall, 1213 12th Street, Altoona PA 16601
Auditionees need only attend one night of auditions unless asked to attend callbacks, expected to be held the evening of Wednesday July 29 if needed.
Please prepare 16-32 bars of a Folk Rock or modern Broadway song for singing audition, preferably in the style of the show. Bring your own prepared piano sheet music in the correct key for our audition accompanist. No tracks or acapella. No additional music will be provided.
Wear comfortable clothing and closed toed shoes for a short choreography sequence audition.
There will also be scene readings from the show.
Please have your calendar so you can clearly mark in all August and September rehearsal schedule conflicts on your audition form.

Rehearsal Schedule Important Dates:

Read Through/Listen Through Sunday August 2 from 6-9 pm
Rehearsals will mostly be Sundays through Thursdays 6-9 pm (subject to adjusting for cast conflicts) A full detailed rehearsal calendar will be distributed at Read Through
Load-In to Mishler Theatre Saturday September 5
Technical Rehearsals Sept 8-15
Sitzprobe Saturday Sept 12
Student Preview Sept 16 and Shows Sept 17-20

ABOUT THE SHOW:
Come From Away tells the true story of when seven thousand people from across America and around the world landed on the doorstep of Gander, Newfoundland… and the people of Gander “put the kettle on”. When 38 planes were diverted to a small, Canadian community on September 11, 2001, the town’s population doubled in an instant. While the world witnessed the worst acts of humankind on the news, the stranded passengers had their faith in humanity restored by the spirited people who comforted all those who had come from away. This amazing story of light in the face of darkness is told with simplicity and humor and heartfelt energy.
Time and Place:
September 11 through 16 of 2001 , and Sept. 11, 2011 in Central Newfoundland, on 38 airplanes, plus New York, Texas, California, England and other locations.
Casting:
12 adults – 6 male presenting and 6 female presenting
A diverse group representing multiple characters from different countries, cultures and religions ranging in ages from 20’s through 60’s. These characters are all based on real people and so must be played with honesty, respect and compassion.
Each actor plays multiple roles. All actors move through the choreography and the set and the switching of characters at an upbeat pace. The set is simply 12 chairs and 3 tables that move around a lot to indicate different locations. Realistic props and small costume pieces also help to indicate the changes in scenes and characters. A unique feature of the show is that the musicians are onstage for the show so there is no conductor in pit to give the cast singing cues.
Read more about the available roles here, including vocal ranges and character descriptions.
Audition Scenes:
You can review the two auditions scenes in advance by clicking on the links below. The director will hand out the scene pages and will assign people to read individual characters. There is no need to memorize anything. You will be holding the scene pages in your hand.
Audition Scene 1 Audition Scene 2
Accents:
The Newfoundland accent is something we will work on throughout the rehearsal process but will not be expected at auditions. It’s sometimes described as a mix of Canadian, Irish and Minnesota. One example – Newfoundland – noo-fun-LAND – stressed on last syllable like understand. If you’d like to try a Newfoundland accent, click on the link below. But it is not required for auditions.
There are also characters with a New York accent, a Texas accent, an African accent, a Middle Eastern accent, a British accent and lines are spoken in Spanish and Hebrew.
Newfoundland accent
Audition Forms
Save yourself some time and stress by downloading the audition forms below in advance, print them, fill them out, and bring them to auditions. (It’s easier to find your calendar and remember your best roles onstage when you’re sitting comfortably at home.)
Of course, we’ll have the forms at auditions if you need one.
Audition Form Conflict Calendar
To Learn More:
There is a Broadway ProShot of Come From Away streaming on Apple TV right now that is excellent if you get a chance to watch it.

Come From Away is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com
